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      <image:title>Interviews - Artist Interview: Shaun Fraser ‘Notions of Identity, Links to Landscape and Connections with Place’ - Photo by Alexander Baxt</image:title>
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      <image:caption>Shaun-Fraser, ‘Ach-An-Cuan - The Atlantic Series Part 1, Cast Glass with Metal-Oxide and Nova Scotian Soil, 2014.</image:caption>
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      <image:title>Interviews - Artist Interview: Shaun Fraser ‘Notions of Identity, Links to Landscape and Connections with Place’</image:title>
      <image:caption>Shaun-Fraser, ‘Ach-An-Cuan - The Atlantic Series Part 1, Cast Glass with Metal-Oxide and Nova Scotian Soil, 2014.</image:caption>
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      <image:title>Interviews - Artist Interview: Shaun Fraser ‘Notions of Identity, Links to Landscape and Connections with Place’ - Make it stand out</image:title>
      <image:caption>Shaun Fraser, ‘Moine’, Glass, Peat, Various-Dimensions, 2017.</image:caption>
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      <image:title>Interviews - Artist Interview: Shaun Fraser ‘Notions of Identity, Links to Landscape and Connections with Place’ - Make it stand out</image:title>
      <image:caption>Shaun Fraser, ‘Shifting', 2020, Ink on Panel, 22cm x 16cm. Photo by Ufuk Yuksel.</image:caption>
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      <image:title>Interviews - Artist Interview: Shaun Fraser ‘Notions of Identity, Links to Landscape and Connections with Place’</image:title>
      <image:caption>Shaun Fraser, ‘Let It Flow’, Bitumen &amp; Soil on Canvas, 1m x 1.5m, 2018.</image:caption>
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    <loc>https://www.artelsewhere.com/interviews/amy-leighbird</loc>
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      <image:title>Interviews - Artist Interview: Amy-Leigh Bird ‘The Psychology of Collecting, The Emotional Significance of Objects and Place’</image:title>
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      <image:title>Interviews - Artist Interview: Amy-Leigh Bird ‘The Psychology of Collecting, The Emotional Significance of Objects and Place’</image:title>
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      <image:title>Interviews - Artist Interview: Amy-Leigh Bird ‘The Psychology of Collecting, The Emotional Significance of Objects and Place’ - Make it stand out</image:title>
      <image:caption>Amy-Leigh Bird, Thames Painting I, 2020 (Detail)</image:caption>
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      <image:title>Interviews - Artist Interview: Amy-Leigh Bird ‘The Psychology of Collecting, The Emotional Significance of Objects and Place’ - Make it stand out</image:title>
      <image:caption>Amy-Leigh Bird ‘Small Amusement’, 2020 Photopolymer Etching Print 55cm x 50cm, on Arches Paper.</image:caption>
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      <image:title>Interviews - Artist Interview: Amy-Leigh Bird ‘The Psychology of Collecting, The Emotional Significance of Objects and Place’</image:title>
      <image:caption>Amy-Leigh Bird ‘Bleak Beauty’, 2021 Found bones and clear fishing wire 153cm x 158cm Sculpture/Installation</image:caption>
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    <lastmod>2021-04-14</lastmod>
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      <image:title>Interviews - An Exhibition Referred To Mental Health: Joe Richardson ‘Hang On A Minute’</image:title>
      <image:caption>image credit: Nick Jones</image:caption>
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      <image:title>Interviews - An Exhibition Referred To Mental Health: Joe Richardson ‘Hang On A Minute’</image:title>
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      <image:title>Interviews - An Exhibition Referred To Mental Health: Joe Richardson ‘Hang On A Minute’</image:title>
      <image:caption>image credit: Nick Jones</image:caption>
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      <image:title>Interviews - An Exhibition Referred To Mental Health: Joe Richardson ‘Hang On A Minute’</image:title>
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    <lastmod>2021-03-25</lastmod>
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      <image:caption>Sofia Bonato 'Doing What’s Best For Me’, 2019. Digital inkjet print on mat paper, 84x59 cm (central image)</image:caption>
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      <image:title>Interviews - Artist Interview: Sofia Bonato ‘Postmodernity, Consumerism, Morality in Relation to Art’</image:title>
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      <image:caption>Sofia Bonato, Deep In Clear Blue Water (Detail), 2018, Screen print on board</image:caption>
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    <lastmod>2020-09-16</lastmod>
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      <image:title>Interviews - A Discussion with Art Historian Barış Acar: Climate Change, Politics and Contemporary Art</image:title>
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      <image:title>Interviews - A Discussion with Art Historian Barış Acar: Climate Change, Politics and Contemporary Art</image:title>
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      <image:title>Interviews - A Discussion with Art Historian Barış Acar: Climate Change, Politics and Contemporary Art</image:title>
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    <loc>https://www.artelsewhere.com/interviews/an-interview-with-artist-mert-acar</loc>
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    <lastmod>2020-08-26</lastmod>
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      <image:title>Interviews - Artist Interview: Mert Acar ‘Traditional and Idealised Landscapes via Photography’</image:title>
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      <image:title>Interviews - Artist Interview: Mert Acar ‘Traditional and Idealised Landscapes via Photography’</image:title>
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      <image:title>Interviews - Artist Interview: Mert Acar ‘Traditional and Idealised Landscapes via Photography’</image:title>
      <image:caption>Mert Acar, D-750, 2019, Lenticular Print, 18 x 21 cm, eds. 30 + 1 A.P.</image:caption>
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      <image:title>Interviews - Artist Interview: Mert Acar ‘Traditional and Idealised Landscapes via Photography’</image:title>
      <image:caption>Mert Acar, Place-Holder Series, 2015-2018.</image:caption>
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      <image:caption>Ayse Kipri, Structure IV, V (left) and VIII (right), 2018.</image:caption>
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      <image:caption>Sofia Bonato 'Doing What’s Best For Me' 2019. Digital inkjet print on mat paper, 84 x 59 cm</image:caption>
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      <image:caption>Araminta Blue 'Aquarium' (right) / 'Collection and Protection (left). Oil On Canvas, 2018.</image:caption>
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      <image:caption>Andreea Ionascu 'On Time, Artificiality and the Anthprocene Extinction' 2019.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f2d6056b00bad42ae20a010/1627322417939-M0YA0JDCT3J5E578EI08/BM6A7193-1.jpg</image:loc>
      <image:title>Exhibitions - In The Heart of The Heart of Another Country: Neology of Newcomers - Make it stand out</image:title>
      <image:caption>Installation view from ‘In The Heart of The Heart of Another Country’. Photo credit: Ufuk Yuksel</image:caption>
    </image:image>
  </url>
</urlset>

